摘要
在当今的艺术和设计领域,国外各种新思潮的涌入和渗透,动摇着我们固有的价值观与审美观。如何在充分理解传统绘画的基础上延其"意"传其"神",让传统绘画理论在现代标志设计中得到更新和拓展,是我们在新世纪中亟需探讨的重要课题!在这篇文章中,就中国传统绘画中的"留白艺术"与现代标志设计之间的相互借鉴关系作了分析,并从现代标志设计中的"形、意、神"三个方面阐述了"留白"在现代标志设计中的作用。
various foreign influx of new ideas and infiltration, shake our inherent values and aesthetics. To fully understand how the tradition of painting on the basis of the extension of its' intention', his' God' theory of traditional painting in a modern logo design was updated and expansion of the new century need to explore the important issues! In this article, the traditional Chinese painting of' art spaces' between modern logo design for the learning has been analyzed, and from the modern logo design of Integrated' shape, Italy, and God' in three areas expounded the' gap' in a modern logo design role.
