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浅析深圳当代雕塑艺术展的公共性

The Commonality of Shenzheng Contemporary Sculpture Exhibition
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摘要 本文将从展览主题、展览空间、展览作品及展览服务等几个方面展开论述,试图揭示中国当代艺术展览公共性的现状,并进行深刻反思,从而对目前我国当代艺术展览中"公共性"的若干理论和实践产生一定的启发作用,更好地实现当代艺术展览的公共性。 As well as known to all, art exhibition appeared when the civilization of modern city has developed to a high level. As one of the best way of presenting contemporary art works. the effect of the contemporary art exhibition is not only a platform for interactive communication between artists and audience, but an important manner to achieve the public of art. Moreover, the Shenzhen contemporary sculpture exhibition has made a positive attempt on the public and commonness of art which supply us with enormous experiences in local practice of the public of art. This thesis will be started from several different parts—exhibition title, exhibition space, exhibition works, exhibition service and so forth. In this situation, the present status of the public of China’s contemporary art will be discovered and deeply thought. From the whole point of view, this thesis will bring some cautions to the theory and practice of the public of China’s contemporary art so that the public of contemporary art exhibition will be achieved perfectly.
作者 张颉
出处 《艺术与设计(理论版)》 2008年第2X期187-189,共3页 Art and Design
关键词 当代雕塑艺术展 公共性 Contemporary Sculpture Exhibition, Commonality

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