环境艺术的符号与象征

Symbols and Emblems in Environment Arts

本文试图运用结构主义——符号学的理论方法,结合具体的社会语境,通过不同的角度对于上海世纪大道、日本长崎市环境艺术作品、广东省中山市的歧江公园以及鄂西南少数民族传统人居模式进行符号学和社会学意义上的分析,从而能够更加深刻地了解在整个环境艺术的生产过程中的多方面的制约和影响因素。

This text trying to use the theory of semiotic methods,combined with specific social context,through different angles for the Century Avenue Shanghai,Nagasaki,Japan,Environmental art,Zhongshan City,Guangdong Province Qijiang Park as well as the ethnic groups in southwest Hubei traditional Habitat Research models and sociological significance of semiotic analysis in order to more deeply understand the art of the environment in the production process of a wide range of constraints and influencing factors.