云南环洱海地区白族妇女现代头饰艺术

The Womens’Morden Headdress in Bai Minority around the Erhai Lake in Yunnan

以头饰实物及影像图片为基础,结合文献资料,对诸如帽饰、巾帕等环洱海地区白族妇女头部装饰的造型、色彩、工艺以及文化内涵进行分析,从而总结出白族妇女头饰艺术的简洁性、适用性以及白族文化的包容性。

Taken the method of object and photograph of headdress,assisted by relatiave historical document,the headdress that is included headgear and coif of bai minority around the Erhai Lake in Yunnan are studied in style,colour,technology and culture,sequentially,terseness and serviceability is revealed by the headdress,and it shows the compatibility of the culture in Bai minority.