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两宋文人画中的审美意趣:尚意、主体精神与题材 被引量:1

The Aesthetic Orientation of Literati Painting in Song Dynasty:Imagery,Spirit and Theme
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摘要 中国古代各个时期的绘画艺术都有其突出而明显的风格特征和审美意向。两宋绘画是中国绘画艺术的一个高峰,此时无论是画作还是画论较之唐代都更为成熟。两宋时期的文人更加注重个人的思想修为;画法风格更加追求"神似";在题材上籍物喻志,一切都以表达画家的精神世界为主旨,呈现出独特的审美意趣。 Painting in ancient China has its unique features and aesthetic intentions among different periods. During two Song times,Chinese painting witnessed its heyday.No matter painting or theory,Song Dynasty was much more mature than Tang Dynasty.The artists pay more attention to improve self-cultivation.They put more stress on taste expressed in the painting and little on truthfulness.The artist send ideal in the theme.It emphasizes the creation purpose of'regarding painting as pleasure'.
作者 潘沛 杨慧丹
出处 《艺术与设计(理论版)》 2009年第11X期311-313,共3页 Art and Design
关键词 文人画 意趣 尚意 主体精神 题材 literati painting,aesthetic orientation,imagery,spirit,theme
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