摘要
荷兰绘画艺术的繁荣既得益于新教卡尔文教派反对偶像崇拜的教义主张,受益于荷兰经济的推动,又加上继承了尼德兰的民族文化传统,使绘画艺术在荷兰完全摆脱了天主教会、宫廷和贵族的垄断,真正融入荷兰人的日常生活。本文以维米尔代表作《画室》为出发点,以此辐射出17世纪荷兰的宗教、经济、民族文化传统。
The prosperity of the Dutch painting art benefits both from the proposition that the Calvin Protestant denomination opposed to idol worship and from the Dutch economic boom,meanwhile,the Dutch painting art inherits the national cultural traditions from the Netherlands,so the Dutch painting art cast off completely the monopoly of Catholic Church,court and the aristocrat.It really mixed together the Dutch daily life.Based on the analysis of Vermeer’s masterpiece-'Studio',the essay shows the religion,the economy and the national cultural traditions rooted in Dutch in the 17th century.
关键词
维米尔
《画室》
宗教
经济
民族文化传统
Vermeer,'Studio',religion,economy,national cultural traditions