浅谈电影摄影中小津安二郎电影镜头的运用

A Brief Analysis of the Application of Tea-Like Camera Shot in YasujiroOzu's Film Photography

画面是电影艺术形式的终端,在小津安二郎的电影镜头中,他仰拍画面的人物饱满圆润,固定机位下记录的是平静生活下的尘埃落定。他把镜头,把自己当成人物最好的观众,在沉静中有了写意画般的美感,所反映的都是现代日本社会的风俗习惯和世态人情。在这些具有代表性的镜头画面中间,我们一起来细细体会,一起周游小津安二郎的精神世界。

The picture frame is the final product of film art.In Yasujiro Ozu’s film photography he makes good use of look-up camera shot to create plump and full characters.He also uses fixed camera position to record the last scene of life story.He regards himself and the camera as the eyes of the audience of the film and adds impres-sionistic style in the quietness.He reflects the customs and the fickleness of human relationships in Japanese society.In the typical camera shots and the picture frames we can appreciate Yasujiro Ozu’s spiritual world as we were drinking in the tea house.