摘要
人类进入数字化时代以后,数码拟真技术使得视觉艺术的创作、传播与接收发生了质变,随之而来的是艺术与生活关系的根本逆转以及艺术概念重新界定,本文试图捕捉这一变化,在拟真的语境下,从技术发展的角度,通过阐释具有代表性的思想家的观点,重新考察数码绘画的内涵和外延,以期获得对这一新生事物的准确认知。
When humans enter the digital times,the digital simulation technology make the creation,communication and acceptance of visual arts into a qualitative change,then it is followed by the fundamental reversal of the relationship between art and life and re-defines the concept of art.This article attempts to capture that change in the realistic context from the perspective of development in technology by the interpretation of ideas of a representative thinker,and re-examines the connotation and extension of the digital painting in order to obtain an accurate understanding of this new thing.
关键词
拟真
拟像
超真实
超绘画
等级
Simulation,Simulacrum,Surreality,Hyper-painting,Scale