作为符号的“蒙娜丽莎”

As a Symbol of the “Mona Lisa”

本文主要就达·芬奇的名画《蒙娜丽莎》在西方美术史中存在的两种状态,即当"蒙娜丽莎"作为一种经典、传统的审美与造型的符号被大众广为接受的时候,人们或许没有想到有一天它还会成为一个被颠覆的符号。从而反映西方美术自文艺复兴以来,美术作品所经历的造型法则以及评判标准的改变。

This paper mainly focuses on the two states of Da Vinci's famous painting 'Mona Lisa' existed in the history of Western art, that is, when taking the 'Mona Lisa' as a symbol of classic,traditional aesthetic and shape that are widely accepted, people may not have imagined that one day it would become a symbol of the subversion, in which reflects the Western art since the Renaissance and the change experienced in the fine art of modeling rules and criteria.