期刊文献+

论大型艺术创作(历史画、全景画)中具象因素与抽象因素的作用

The Role of Concrete Factors and Abstract Factors in the Large Art Creation(History Painting,Panorama Painting)
原文传递
导出
摘要 在人类历史所有的阶段,总是以不同的旋律回荡着具象观念与抽象观念的争论。在具象艺术家看来,艺术创作应该真实地模仿自然的美,艺术是自然的延伸;而在抽象艺术家那里,自然是一回事,而作为人类创造物的艺术则是另外一回事。纵观美术史,无论是具象艺术还是抽象艺术,都是人类美术史上长久存在的艺术形式,是人类创造的精神财富。在大型艺术(历史画、全景画)创作中要把具象因素和抽象因素有机地结合起来,使两者更好地为大型艺术创作服务,并在创作实践中不断地创新。 In all stages of the history of mankind,Always with a different melody echoed the debate with like ideas and abstract concepts.In the concrete artists' view,artistic creation should be designed to simulate the natural beauty.Art is a natural extension.However,in the abstract artists there,nature is one thing,the art as human creation is another matter.Throughout art history,whether it is figurative art or abstract art,are all the art forms that have long existed in the history of human art,and are spiritual wealth created by mankind.Take in the large art creation(the history of painting,panorama)we should put concrete factors and abstract factors together,so that the two will work better for large art creation,and constantly innovative in creative practice.
作者 宋奔
出处 《艺术与设计(理论版)》 2012年第A06期142-144,共3页 Art and Design
关键词 大型艺术创作 具象因素 抽象因素 large art creation,concretization,abstraction
  • 相关文献

参考文献1

  • 1鲁迅美术学院编,韦尔申,宋惠民主编.中国全景画[M]. 辽宁美术出版社, 2000

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部