和实生物,同则不继——由“土洋之争”到“民美结合”看中国民族声乐的发展

Harmony within Diversities

在我国民族声乐发展的历史进程中,不同形式唱法和风格流派之间的相互探讨和论争时有发生。其中,所谓"土嗓子"和"洋嗓子"之间的"土洋之争"到其后的"民美结合",不仅具有典型个案意义,也从一个侧面反映出中国民族声乐学派发展的一种自然生态。本文即试图以此为背景,从理念、政治和技术等音乐审美维度入手,分析这一演变过程中的文化、社会和形式诸要素,并进一步探讨创建具有中国特色民族声乐学派的构想。

Indeed, the historical process of Chinese vocalism development has witnessed regular occurrences of discussions and arguments over different sing styles and manners, of which, the contestation and combination of the so-called 'folk-styled sing' and 'western-styled sing' not only bears typical case significance, but also implications on a logical phenomenon of Chinese vocalism development. Referring to such musical aesthetic dimensions as ideal, politic and technique, this paper strives to analyze the cultural, social and formal elements featuring this evolvement, aiming to explore the conception of the establishment of a vocalism with Chinese characteristics.