试论前期新月派格律诗的音节艺术

Try to Discuss the Syllable Art of the Earlier Period New Moon School

前期新月派的新格律诗运动及其理论,固然借鉴了传统格律诗的某些规则,然而,更多的却是对旧格律"诗格律"内涵和规则的扬弃;其主要的理论来源,是以音节为中心的英美近体诗学。前期新月诗人格外重视诗的音节,提出"了音尺"论等极富创造性的理论与范畴,扭转了早期白话诗过于自由散漫、缺少诗味"的非诗化"倾向,为新诗形式的规范化建设做出了不可磨灭的贡献,影响极为深远。

The New Rhyming Poetry Movement of the earlier period New Moon School and its theory, no doubt have profited from classical rhyming poems' certain rules, however, more of the'metrical' connotation and rules about the old rhyming poems have been discarded; Its main theoretical source is the mordern syllable-center British-American Poetic. The earlier period New Moon School poet paid great attention to the poem syllable and proposed the 'music foot' theory and other highly creative theories and categories, reversing the'non-poetic' tendency of the early period modern verses which were too slack in discipline and lack of poetic flavor. Their researches made an indelible contribution to the form standardized construction of the modern verses and affected extremely profoundly.