摘要
"百花时期"是整个十七年严酷政治环境中的一次短暂松动,集中涌现出一批涉禁的爱情婚恋题材小说。《在悬崖上》中的加丽亚和《美丽》中的季玉洁是邓友梅和丰村塑造的两个截然相反的女性形象。从叙事学的角度来看,其中都出现了作者的主观叙事意图和客观叙事效果相背离的现象,从文本内部的裂缝和张力中我们能够解读出阶级观念隐藏下的强烈女性意识。
On the Cliff and Beautiful, two short stories of the Baihua Time, have a feature in common, that is the objective narrative effects deviate from the subjective narrative intention. As a result of this crack, they escape from the destiny of pure fable more than most short stories of the same time.And two heroine Jalia and Ji Yujie have independent values, which are not regarded as symbols and templets any more.The author will reilluminate Jalia and Ji Yujie on the base of blanks and tentions in two texts, then discover the feminine consciousness, which was expressed indirectly.
出处
《华中师范大学研究生学报》
2008年第3期47-50,共4页
Central China Normal University Journal of Postgraduates
关键词
百花时期
加丽亚
季玉洁
再解读
女性意识
times of Baihua
Jalia
Ji Yujie
reillumination
feminine consciousness
