新世纪乡土如何现代——以第五、六、七届茅盾文学奖乡土小说为分析对象

On the Modernization of Local Culture in the New Century

本文以阿来的《尘埃落定》、王旭烽的《茶人三部曲》(1、2)、徐贵祥的《历史的天空》、贾平凹的《秦腔》、迟子建的《额尔古纳河右岸》、周大新的《湖光山色》等乡土小说为研究对象,分析新世纪以来,作家的现代与传统观念的纠结与互动,其乡土小说中显示出的对传统文化的挽歌和赞歌,以及对现代文明的批判和拥抱的含混复杂的表述。总结了形成这种状态的原因:首先是中国现代性的外发方式与随之产生的二元思维模式;其次是发展中的现代性的负面影响;再次是作家自身的价值文化取向差异。

With Trilogy of Tea Men(1,2) by Wang Xufeng,Sky of History by Xu Cuixiang,Qin Opera by Jia pingwa,On the Right Bank of Arguna River by Chi Zijian and View of Lake and Hiu by Zhou Daxin as objects,the thesis analyzes the interaction between those writers’ modern and traditional concepts,their dirge and paean towards traditional culture,their criticism,and their ambiguous and complex statements towards modern civilization,which have displayed in the local novels. Last,the reasons for this pattern are presented:the outside way of Chinese modenity and the binary mode of think followed by the modernity,the negative impacts of modernity in its developing process,and the authors' different value orientation and cultural trends.