摘要
自1949年建国之后,在大陆的文学史书写中,无论是在十七年期间还是文革期间,"张爱玲"这个名字始终都是缺席的。她的声音始终湮没在和政治息息相关的主旋律当中。这种文学史的书写范式在新时期以来有所改变,曾经作为边缘作家的张爱玲完成了自己对于文学史上的一次复归。但是,她的这次复归仍是有所保留的。和八十年代以来、在张爱玲死后达到巅峰的"张热"相比,和新时期以来文学批评界对于张爱玲批评的"众声喧哗"相比,文学史中所保留姿态仍值得我们进行深刻的思考。
Since 1949,the name Eileen Chang was always absent in the literary history writing during the period of 17 Years and Cultural Revolution.Her voice was flooded in the theme which was related to the politics.However,this situation has changed these years.The Edge Writer has accomplished her regression.However,this regression is incomplete.Compared with the population within the critics and readers,the attitude of the literary history writing still ought to be investigated.
出处
《华中师范大学研究生学报》
2010年第3期85-87,96,共4页
Central China Normal University Journal of Postgraduates
关键词
张爱玲
文学史
失声
复归
Eileen Chang
literary history
absence
regression
