摘要
影片《盗梦空间》以特有的"复调"式叙事结构,使观众沉浸在一个时空的并置与交叠、梦境和现实的交融与对位、绝对渴望与相对存在、肉体的错位与精神的回归的混沌而又明朗的时空镜像中。
Film Inception has a unique 'polyphony' type narrative structure. It makes viewers immersed in a chaotic and clear space-time of mirror which contains the opposition and overlap of space-time, the blend and counterpoint of dreams and reality, the absolute desire and relative existing and the dislocation of the flesh and the return of the soul.
出处
《华中师范大学研究生学报》
2011年第1期51-54,共4页
Central China Normal University Journal of Postgraduates
