情节剧式的认同：闵安琪《红杜鹃》中的表演与感情主体书写(英文)

Melodramatic Identifications:Performace and the Writing of the Feeling Subject in Anchee Min's Red Azalea

本文将闵安琪的自传体小说《红牡丹》置于美国性别、移民、多元文化讲述的语境之中,认为闵安琪的文本是一种移民叙述,通过"自由人道主义"的比拟修辞,支持美国的多元文化神话,民主神话。性与个人空间,变成闵安琪的个人自由与她描写的国家强制之间的斗争之地,最后从中产生她作为美国"模范移民"主体的身份。

Positioning Anchee Min's autobiographical novel,Red Azalea,within the context of discourses of gender,immigration, and multiculturalism in the U.S.,this essay reads Min's text as a kind of immigrant narrative that supports U.S.myths of multiculturalism and democracy through its development of key tropes of so-called liberal humanism.Sexuality and the private space of affect become contested sites between Min's agency and her portrayal of coercion by the state,and ultimately serve to develop her burgeoning identity as a model immigrant subject in the U.S.