摘要
本文通过细读,分析阐释海外英籍华人刘宏的三部英语长篇小说——《惊月》、《鹊桥》和《触摸》,认为刘宏作为双重语境中的华人离散作家,将中国传统的公用式固定象征运用于西方语境,使得这些传统象征在异域中重新焕发魅力,取得了陌生化的效果。从而使她的小说凸显诗性,而且是中国文化式的诗性。
This essay offers an interpretation of Startling Moon, The Magpie Bridge,and The Touch,three novels in English by Liu Hong,a Chinese novelist settled in England.The essay argues that Liu Hong,as a diasporic writer in double contextualization, creatively applies Chinese traditional symbols against the Western background,thus rejuvenating those conventional symbols and achieving defamiliarization.Thereby she foregrounds the poetic qualities,and the Chineseness in those qualities,in her novels.
出处
《中外文化与文论》
CSSCI
2008年第2期66-75,共10页
Cultural Studies and Literary Theory
关键词
刘宏
双重语境
象征
Liu Hong
double contextualization
symbol
