摘要
台湾诗歌在 80年代对西方后现代主义文学的选择和接受具有一种历史必然性 ,这使得台湾诗歌典范发生了三种变动 ,即 :反纯粹性的本文混杂 ;反深度的事物本原化 ;反确定性的语符游戏。由于受时代的、民族精神的和文化心理的影响 ,台湾诗歌理论与创作又呈现了在特殊接受语境中发生的变异 ,即 :台湾诗人对“本体”的怀疑是一种方法论意义上的怀疑 ;
It is a historical necessity for Taiwan poetry to choose from and accept the western post-modernism literature in 1980's. The choice and reception caused three changes in the model of Taiwan poems. They are: the anti-purity of heterogeneity of texts, the anti-depth of thing-in- itself and the anti-certainty of games of the difference of lansigns. Because of the influence of the era, the national spirit and the cultural psychology, the theory and creation of Taiwan poems show the change caused in the special linguistic surroundings of acceptance, that is, the Taiwan poets' doubt on thing-in -itself is the doubt on the significance of methodology. They think that the uncertainty of semantic often comes from the limitations of the language itself.
出处
《学习与探索》
CSSCI
北大核心
2000年第6期105-111,共7页
Study & Exploration
关键词
诗歌
后现代主义
本文混杂
本原事物
语符游戏
变异
Post-modernism
heterogeneity of texts
thing- itself
games of lansigns
heteromorphosis
Taiwan poetry