古典为基,民族为本——现代主义大师阿尔瓦·阿尔托早期建筑创作倾向探析

Exploring National Identity and Modernity Based on Ontology of Classic Architecture:Study on the Modernism Architect Alvar Aalto's Early Intention of Design

为完善阿尔托建筑创作思想与实践的研究,分析了20世纪20年代的北欧文化背景,探讨了阿尔托早期古典主义建筑创作中的3种表现,即借鉴古典建筑优美比例,寻求民族乡土建筑的新生基础;借鉴古典建筑内外空间互转的策略,营造人与自然互动联系的空间场所;借鉴古典建筑化整为零的策略,建构优美如画的城市景观组群。归纳总结了阿尔托在早期建筑创作中以"古典为基,民族为本"同时寻求建筑现代性的基本特征,补充了现有对阿尔托早期建筑创作研究的不足。

In order to add the study of Alvar Aalto’s design ideology, the paper analyzed the backgrounds of Nordic culture in1920’s, and studied the main strategies and performance in Aalto’s early architecture carrier, such as: searched for the basement ofnational architecture revived through referencing the graceful scale of classic, built interaction space between human and nature byreferencing the methods of classic architecture that exchanging of interior and outdoor space, and constructed picturesque city scen?ery by breaking up the whole into parts. Last, the paper summarized the key character of Aalto’s "classic architectural activity withclassic tradition as basic" and with national identity and modernity as the core. The study was an beneficial supplement to the pre?liminary research of Alvar Aalto.