摘要
个人形象设计蕴含明显的心理变化与反差,尤其在社会转型之际,具有影响力的历史人物更是如此。以近代民主人士"鉴湖女侠"——秋瑾的自我形象嬗变为观察维度,探究她由"知书识礼,足不出户的大家闺秀和相夫教子、腆面的少妇"转而成为"身穿日本服饰、怀揣手枪、手握倭刀、脚着皮靴,骑马行走街头,与丈夫离了婚,为当时社会无法理解,也不为众人接受的‘怪异’女子"的心路历程,一定程度上能够解读其胸中的梦想与追求,即不仅主张男女平等、男女平权,而且戮力践行,尤其顺应了历史发展趋势。
Personal image design contains obvious psychological change and contrast, especially inthe social transition and that is especially the case with the influential historical figures. From theperspective of Qiu Jin ’ s self-image transmutation, who is the modern democrat “Jianhu Heroine’’,this paper explores her mental course in which she changed from “a well-bred girl who waswell-educated and propriety-minded and always stayed indoors and a shy young lady who helpedher husband and taught her childrenw to uan unacceptable ^ weird ^ woman who wore Japaneseclothing and boots, carried a pistol, held Wo Dao, rode a horse along the street, divorced herhusband and could not be socially understood’’ , which to some extent interprets her inner dreamand pursuit of advocating and practicing gender equality and equal rights between men andwomen, which especially adapted to the trend of historical development.
作者
谢俊美
XIE Jun-mei(College o f Humanities and Social Sciences, East China Normal University , Shanghai 200062, China)
出处
《太原理工大学学报(社会科学版)》
2016年第3期34-37,共4页
Journal of Taiyuan University of Technology(Social Science Edition)
关键词
自我形象
反差
秋瑾
梦想与追求
self-image
contrast
Qiu Jin
dream and pursuit