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中国江南音乐风格二胡作品演奏特点述要 被引量:12

Stated on the Performing Features of Erhu Works in the Music Style of South Area of the Yangtze River
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摘要 文章以"实践·特点·要领"的论述模式,分别从学习并体验江南音乐的亲历实践、在南北音乐风格比较中把握江南音乐风格二胡作品演奏的一般特点、江南音乐风格二胡作品演奏和学习的五个要领这三个方面展开论述。其演奏要领中梳理阐述了音律、润腔、技术技巧特征与句法等特点,发现并提出演奏中技术技巧相互之间组合的规律,注重与地方语言、人文内涵相关的音乐声腔及风格,以"性格化"、"拟人化"把握作品并提取信息等。进而阐述在演奏中建立"用中国音乐文化诠释二胡作品"的表演美学观念。 With the exposition model of“practice - features - essentials”, this paper discussed respectively on three aspects of: learning and experiencing the music of the South area of the Yangtze River through personally practice, in comparing the music style between the North and South to grasp the general characteristics of performing the erhu works in the music style of South area of the Yangtze River, the five essentials points of learning and performing the erhu works in the music style of South area of the Yangtze River. Further elaborated to establish performing aesthetic conception of“using the Chinese musical culture to interpretation of erhu works during the performance.
作者 宋飞 SONG Fei
出处 《黄钟(武汉音乐学院学报)》 CSSCI 北大核心 2016年第3期117-123,共7页 Huangzhong:Journal of Wuhan Conservatory of Music
关键词 二胡 江南音乐 演奏特点 音乐教育 中国文化 erhu (two-stringed bowed instrument) music of the South area of the Yangtze River playing feature musical education Chinese culture
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