汉字的构成艺术与汉语母语写作

The constitutes art of Chinese characters and Chinese native writing

文字的构成艺术不仅规定了中华民族的思维方式特征,也规定了中华美学精神的特征。汉字构成艺术的六书规定了汉语母语写作的意象特征,中国传统诗学的意象论促进了中华民族抒情文学的高度发达,使中国成为诗的王国。具体说来,汉字的六书构成主要规定了汉语母语写作的意象论规律,意象论在唐宋时代逐步发展成为意境论,促进了诗歌艺术的高度发展。宋代以后意象论在市民经济的推动下逐步发展成为小说论、典型论。这种发展过程的深层原因就在于,汉字的六书构成由象形、指事到会意、形声,再到转注、假借的转换,形成了意象论到意境论再到典型论的发展,直接规制了汉语母语写作的历史发展进程。

The constitutes art of Chinese characters not only formulates the way of Chinese thinking, but also formulates characteristics of Chinese aesthetic spirit. Liushu, as a Constitutes art of Chinese characters, formulates the imagery features of Chinese native writing. Chinese traditional poetic imagery contributes to the highly development of Chinese lyrical literatures , and it has made China a Kingdom of poetry. Specifically, Liushu as a Constitutes art of Chinese characters formulates mainly Imagism discipline of Chinese native writing. The Imagism develops gradually and become Artistic conception on the Tang and Song Dynasties, which promotes highly development of the poetic arts. After Song Dynasty,Artistic conception become gradually into Novels and Typical theory under the promotion of public economy. The deep reason of this development process is that Chinese character constitutes of Liushu changed from Xiangxing and Zhishi to Huiyi and Xingsheng to Zhuanzhu and Jiajie. This causes the development from Imagism discipline to Artistic conception to Typical theory, and restricts historical developing evolution of Chinese native writing directly.