宋代“尚意”书风的意、法之辨与法度创新

The Analysis of Thoughts and Laws of Calligraphy Style in Song Dynasty

宋代书法以"尚意"为风尚,代表人物为"宋四家"中的苏轼、黄庭坚、米芾,他们从文人士大夫阶层的价值趋向、审美追求出发,强调书法创作中意对法的主宰关系,创作者的素养被提到了书法艺术的中心地位。宋代"尚意"书风同样重视法度的继承与创新,他们在点画书写笔法、单字结构形态上取法唐人而有新变,更重要的是在整体章法上作出了自觉反思和实践,为中国书法拓展出了更加广阔的艺术天地。

In Song Dynasty, the calligraphy style advocates personal thoughts. The representatives of it are Su Shi,Huang Ting-jian and Mi Fu, who, based on the value tendency and aesthetic pursuit of the literati class, emphasize theidea of thought dominating law in calligraphy creation, and consider the authors' attainments as the center of calligraphy.The calligraphy style stresses the importance of heritage and innovation of the laws as well, which inherits the style ofTang Dynasty in using brush and the stricture of single word but with some innovation. More significantly, in theoverall composition, they made conscious reflection and practice on it which broadened a vast artistic world for Chinesecalligraphy.