壮族歌圩:审美与仪式的复合体

Zhuang Folk Song Festival: a Combination of Aesthetics and Ceremony

壮族民歌充斥着壮族人生产生活的各个角落,壮族民歌曲目繁多,许多经典之作更是口耳相传历经百年而不缀。这一方面是壮族人喜歌爱唱的民族特质所决定的,另一方面也是与壮族歌圩这一特定的传统习俗活动有着密不可分的联系。壮族歌圩是一个审美与仪式的复合体,作为审美活动的壮族歌圩让人们在欣赏那清透美妙的歌声的同时获得精神的愉悦与满足,作为仪式活动的壮族歌圩让人们在固定的时间、地点参与的过程中获得精神的圣化与神秘感。壮族歌圩具有审美与仪式的双重属性,审美与仪式在此活动中相互结合在一起,互为特性,因此深入研究壮族歌圩的审美仪式化与仪式审美化对于正确解读壮族歌圩是十分必要的。

Zhuang folk song can be seen everywhere in their daily life. Zhuang folk song varies quite much. Many classical songsspread from mouth to mouth for a hundred years. On one hand, that’s because Zhuang people love songs and like singing, on the otherhand, there’s an inseparable connection with the Zhuang Folk Song Festival, a traditional activity for Zhuang minority. It is a combinationof aesthetics and ceremony. As aesthetics, Zhuang Folk Song Festival makes people appreciate the sweet music and at the same timemakes them obtains spiritual enjoyment and satisfaction. As a ceremony, it makes people obtain spiritual distillation and a sense of mys?tery at permanent time and places . Zhuang Folk Song Festival has the nature both aesthetics and ceremony. Aesthetics and ceremony com?bines together in this activities and become two sides features. So it’s necessary to clarify aesthetic ritual and ritual aesthetics in a rightway.