试论尼采的超人与格言体写作——从《苏鲁支语录》的“读与写”篇中的三个意象说起

On Nietzsche's Superman and Aphoristic Writing —— the Three Images in “Of Reading and Writing” in Thus Spoke Zarathustra

在尼采《苏鲁支语录》的"读与写"篇中,"血""笑""舞"三个意象相互关联。在"血"的生成性、"笑"的反讽性与"舞"的轻灵性背后,正是精神与肉体、自我与他人、瞬间与永恒之间界限的消弭。而"血""笑""舞"三个意象之间的内在联系正在于超人,其内在的意义就是消弭的界限。这也就表明,在封闭界限消弭的尽头,恰恰诞生了尼采所指示的超人,生成了尼采的格言体作品。

In'Of Reading and Writing'in Nietzsche's Thus Spoke Zarathustra,the three images of'blood','laugh',and'dance'are correlative. Behind the generative nature of'blood',the irony of'laugh',and the grace of'dance',the boundaries disappear between the flesh and spirit,the selves and the others,the moment and the eternity.Indeed,the inner link of the three images is the superman. Both Nietzsche's superman and his aphorism are born in theend of the disappearing boundaries.