感官里的《游园》——从接受心理看《牡丹亭·游园》的艺术魅力

The Peony Garden in the Senses of the Audience: A Study of the Artistic Charm of The Peony Garden in The Peony Pavilion from a Psychological Viewpoint of Acceptance

汤显祖的《牡丹亭》一经问世即蜚声文坛,四百年来盛演不衰,《游园》一折自清代乾隆年间从《惊梦》中析出后,以其唱做并重的特点展现出顽强的生命力。从接受心理学角度,将观众大致分为"视觉型""听觉型"和"综合型"三类,以观众为本位,从文、乐、舞等角度全方位解析《游园》独特的艺术魅力。

The Peony Pavilion written by Tang Xianzu shot to fame when it came into being, and it has always been focused on in the past four hundred years. The Peony Garden, which span from The Sudden Wake from Dream shows great vitality for the combination of singing and dancing. In this paper, the audience is divided into visual type, auditory type and comprehensive type from a psychological viewpoint of acceptance, so as to interpret the unique artistic charm of The Peony Garden from the aspects of text, music and dancing.