摘要
学界多强调卞之琳诗歌的客观性,而忽视了其内在复杂性。通过对1933年到1937年间卞诗的考察,以及对其中鱼、水、镜子、梦与花枝等具体意象的深入挖掘和解读,可发现他所谓的冷抒情只是一种表面态度或笔调偏好,其中情感仍是暖热的,它从另一侧面呈现了诗人复杂和隐秘的内心世界。
As for Bian Zhilin’ s poems, the academic circles have mostly emphasized their objectivity 'while ignoring the complexity of Bian Zhilin himself as an individual. Through the study of Bian5 s poems from1933 to 1937, interpretations and analyses of fish,squid,wTater, mirror images in the poems,wTe found that his so-called cold expressions wTere just his superficial attitudes or wTriting styles, whose emotion is still wTarm. It displays the poet’ s another but inner complex mind.
作者
李卫国
LI Weiguo(Southwest University, Chongqing 400715, China)
出处
《龙岩学院学报》
2016年第3期117-120,共4页
Journal of Longyan University
关键词
卞之琳
精神分析
浴女想象
梦与花枝
镜
Bian Zhilin
psychological analysis
female imagination
flower and dream
mirror