法国洛可可艺术的中国风研究

Chinese Vision of French Rococo Art

十八世纪法国洛可可艺术中可见的中国视界,是在西方主体建构之中最显著的他者世界。异国凝视之下所显现的渴慕与欲求都在中国风艺术作品中挥发,其在洛可可艺术沃土中培植出的极致表现,影响了以后西方装饰艺术的动向。在面对中国风作品时可直接感受到的是一个异质的、混杂的观看经验,看似中国却又不是中国,看似西方但又指涉中国,唯一可准确辨析的是作品中浓厚的异国风情表达,是来自西方凝视异国的审美趣味。

The visible Chinese vision of French Rococo art in the 18th century was the most noteworthyother world in Western subject construction. The yearning and desire shown in the stare of a foreignland were expressed in Chinoiserie works of art, the superlative presentation of which was cultivatedin the fertile soil of Rococo art and influenced the trend of Western decorative art afterwards.In the face of Chinoiserie works, what we can immediately feel is a heterogeneous and mixed viewingexperience; they look like Chinese but are not; they seem to be Western but refer to China. Theyonly thing that we can discriminate accurately is that the strong exotic expression of those workscomes from the Western aesthetic taste of gazing at foreign countries.