残帖装饰大成若缺

Great if the Lack of Residual Decorative Post

清末民国时期,建水紫陶烟斗上流行的"残帖"装饰图式并非个案特例,也非紫陶烟斗独创或王永清发明。"残帖"是在广泛吸取国画、书法艺术的精华,借鉴"锦灰堆"和"八破纹"装饰艺术风格发展而来的独具特色的装饰图式。其构思精妙绝伦,手法新颖独特,体现了"大成若缺"的艺术特点。

Late Qing period, built on purple pottery water pipe popular "residual post" decorative drawings exception is not the case, nor purple Tao Wang Yongqing pipe or original invention. "Residual post" is widely draw traditional Chinese painting, calligraphy essence, drawing developed "Kam ash heap" Jing De Zhen porcelain painting and "eight-breaking pattern" on the basis of Art Deco pottery purple decorative drawings. It uses material incomplete, duplicate superimposed color expression, inscribed by the fill color,unglazed grinding process after showing a "stray fragments" as unadorned vigorous, incomplete mottled artistic effect, become a unique decoration art and iconic drawings. Conceived exquisite, novel and unique approach, the concept of "Great if the lack of" artistic characteristics.