从《声无哀乐论》到《文心雕龙·知音》——前进中的文学接受论

From The theory of Sound not Sorrow and Joy to The Literary Mind and the Carving of Dragons at Understanding Friend—The Theory of Literature Acceptance in Progress

《文心雕龙·知音》(以下简称《知音》)篇着力探讨了文学作品的接受问题,一针见血地指出文学作品评价与接受中存在的诸多问题,并从创作论的角度对文学批评与鉴赏提出了一系列的原则与方法,《知音》篇可谓是我国文学接受理论的滥觞与典范。《知音》篇中诸多文艺批评观点继承了魏晋时期嵇康《声无哀乐论》中的理念,并对嵇康的文艺观念进行了修正与完善,将嵇康玄学与儒学的文艺理论有机融合,发展成为一套完整的文学接受理论体系。

The Literary Mind and the Carving of Dragons at understanding friend has the main research problems of the literature acceptance. It hit the nail on the head to point out that the problems of literature evaluation and acceptance, and it also put forward the principle and methods on Writing theory. Therefore it is the source and the model of the Theory of literature acceptance of China. Some viewpoint of literary and art criticism have inherited corrected the concept of The theory of sound not sorrow and joy writing by Ji Kang,Wei jin dynasty.It organically melted the theory of literature and art of The metaphysics and Confucianism, developed it become to be a complete set of literature acceptance theory system.