超越乡土的诗学:以莫言作品为例

Poetics beyond Vernacular: Case Study on Moyan's Works

以文学地理学分析视角,剖析山东高密乡人文和自然景观等乡土文化如何影响了莫言创作,分析他的作品如何体现文化原型,成为超越乡土的诗学。莫言创造的"高密东北乡"是基于他童年生活经验提炼出的乡土文化区(vernacular culture regions)。"高密东北乡"作为他的乡土支点,在他诸多文学作品中构成独特的"莫言风格":大历史与小历史的惊人结合;虚幻现实主义(Unreal realism)文学风格的熟练运用;有力地促进中国文学风格的"内转"。最后对新乡土文学的寻根主题、文学拯救进行了讨论。

From the perspective of literary geography, this paper explores the influences of humanities and natural landscape in Gaomi to Moyan's writing, and discusses how his works can reflect the original culture and become the poetics beyond vernacular. 'Northeastern Region of Gaomi' in Moyan's works originate from the vernacular culture region based on his children experiences, and become an integral support to his works. Unique Moyan style lies in amazing combination of great history and tiny history, proficient use of unreal realism literary style, and great push to the 'inward turn' of Chinese literary style.