从边缘文本看草原音乐文化的多元性

Contemporary Music Culture in Inner Mongolia Steppe

根植于草原文化中的天主教音乐以及早期CICM留存的档案,使我们看到草原文化绝不是常人所想象的那种与外界隔绝、充满罗曼蒂克色彩的文化,它实际上早就与外界互动。这种互动不仅是草原民族和其他民族的互动,而且还包括了与之更为广袤的外界空间的互动。本文试从CICM档案文本与当代草原音乐文化的考察中,探寻草原文化的多元性。

Catholic music observed in Inner Mongolia Steppe and inthe early archives of CICM show a fact that steppe culture is not an isolated one with romantic colors but contacting and interacting with outside world ever since. Not only has this interaction taken place among ethnic groups of the steppe, but it also between these groups and broader space of outside. This paper explores the diversity of steppe culture through investigating the CICM archives and contemporary music culture of the steppe.