山西襄垣地区炕围画艺术的田野调查

Field Investigation on the art of Kang Wei Painting in Xiangyuan Area of Shanxi

在山西民间艺术炕围画界素有"南垣(襄垣)北代(代县),原平不赖"的说法。襄垣县的炕围画在上党地区乃至山西全省可谓独树一帜。它不仅有着独特的艺术风格,而且还有着鲜明的地域文化特色,已于2008年被收入第二批"国家级非物质文化遗产"名录。近年来,随着人们生活条件的不断提高,特别是居住方式的变化,窑洞、土炕已逐步退出人们的生活舞台,依托土炕而存在的炕围画也濒临灭绝,炕围画老艺人们的生存空间也慢慢的变小。本文通过对炕围画的生存环境、炕围画制作的工艺流程、传承及保护来阐释并还原山西襄垣地区的炕围画艺术特色,唤起人们对这一非遗项目的记忆与关注。

In the circle of Shanxi folk art of Kang Wei Painting, there is a saying that goes 'South Yuan(Xiang Yuan) North Dai( Daixian County), Yuanping is not at all bad'. Xiangyuan County's Kang Wei painting is unique in Shangdang region and even Shanxi province. Because of its unique artistic style and distinctive regional cultural characteristics, it was the second batch to be enlisted into the National Intangible Cultural Heritage List in 2008. In recent years, with the continuous improvement of living conditions, especially the changes in living style, caves and kangs were gradually withdrawn from the stage of people's lives. Thus, the Kang Wei paintings relying on the Kang are on the verge of extinction, and the living space of the old artists and craftsmen is also slowly becoming smaller. This paper aims to interpret and restore the art characteristics of the Xiangyuan Kang Wei painting of Shanxi, based on its environment, production process, inheritance and protection, and to arouse people's memory and attention to the intangible cultural heritage project.