摘要
当前的世界,是全球化的思潮逐渐蔓延的时代,同时,现代性的思潮危机也是我们必须反思的内容,在两者相互碰撞的时代危机之下,我们可以从审美主体间性这一全新的角度来对中国古代文论进行全新的考察。我们认为,中国古代文论的审美主体间性主要体现在浑融的艺术感知性、双向对举的艺术张力以及艺类渗透的文本融合性。中国古代文论的这种审美主体间性是与西方文论有着截然不同的特质的,是具有中国特色的古典文论,它对世界美学都会产生极为重要的影响,而且也应该成为世界美学中的重要组成部分。
The current world is the era in which the current of globalization is gradually spreading,while at the same time,thecrisis of modernity of thought is what we must reflect on.Under the age of crisis in which the contents of the two colliding,we cancarry out a new study on Chinese Ancient Literature from a new perspective of aesthetic intersubjectivity.The writer believes thatthe aesthetic intersubjectivity of Chinese Ancient Literature is mainly reflected in the artistic perception of oneness,two-wayartistic tension and text fusion of art class penetration.The aesthetic intersubjectivity of Chinese Ancient Literature has distincttraits compared with western literary theory,which is classical literary theory with Chinese characteristics and is an important partand will have a very important impact on aesthetics in the world.
作者
孙根
Sun Gen(Hunan Normal University, Changsha Hunan 410006)
出处
《阜阳职业技术学院学报》
2015年第3期93-96,共4页
Journal of Fuyang Institute of Technology
关键词
中国古代文论
审美主体间性
感知性
张力
文本融合
Chinese Ancient Literature
between aesthetic subjectivity
perceptual
tension
text fusion