摘要
元朝前期,骚体赋创作呈现出明显的怀古倾向:一是题材内容上,多咏古物、古人、古迹、古义之作,二是艺术表现上,从篇章、句法到意象的选取都呈现出"祖骚"的复古特征。这一倾向的产生,既与此时骚赋作家的生活境遇有关,也是骚体赋经历了魏晋六朝和唐宋的不断求变后形式上回归的结果。
The Fu of Sao style writings present a nostalgia tendency in early Yuan Dynasty. The evidences lie first on the subject matter and content which chant the antiquities, the ancients, the historic site and the ancient meanings. It also reflects on the artistic expression. Its corresponding works show retro features of “back-to-Sao” from the perspectives of text, syntax and the choices of image. This tendency is related to the writers’ life situation. It is also a result of regression of Sao Fu after it has undergone continuous changes during Wei-Jin period to Tang and Song Dynasties after the return of the sense of form
作者
王双
WANG Shuang(Department of Chinese, Tangshan Normal University, Tangshan 063000, China)
出处
《唐山师范学院学报》
2017年第1期56-59,共4页
Journal of Tangshan Normal University
基金
河北省教育厅人文社会科学研究项目(SZ141314)
关键词
元朝前期
骚体赋
怀古
回归
early Yuan Dynasty
Fu of Sao style
nostalgia
regression