摘要
亚文化风格的形成不仅是亚文化群体内部的产物,也深受各种因素的制约。援引伯明翰学派所提出的"亚文化风格"这一理论,以网络恶搞配音团队"胥渡吧"为对象的研究发现,创作者使用拼贴的手法来呈现娱乐、抵制以及颠覆的亚文化风格。然而,在与大众传媒的互动之中,亚文化风格在不断消解。风格的形成是外部关系和亚文化群体的自身取向合力的结果。这种合力不会在风格形成之后销声匿迹,而是作为一种限定性的构成要素,在未来走向中持续发挥作用,反映出中国语境之下亚文化风格的建构与消解历程。
The formation of subculture style is not only a product of internal subcultures,but also contributed byvarious factors.This paper selects network spoof dubbing team Xuduba for the example,citing the theory of subcultureand trying to understand the construction and deconstruction of subculture style on the Chinese context.Afteranalyzing the works of Xuduba,we found that the creator presents the style of entertainment,boycotts and subversiveby using the concept of bricolage.Due to the interaction with mass media,the subcultural style is constantly digestion.The formation of style is the result of external relations and subcultures force of its own orientation.This force will notdisappear after the formation of the style,but as a limiting components,continue to play a role in the future direction.
作者
程河清
张晓锋
Cheng Heqing;Zhang Xiaofeng(School of Journalism and Communication,Nanjing Normal University)
出处
《当代青年研究》
CSSCI
2017年第1期64-69,共6页
Contemporary Youth Research