摘要
《奇鸟行状录》中大量使用隐喻手法,其中,"井"作为一个较小的意象,扮演着从现实世界通往作为较大意象的意识世界的媒介。在这里,意识世界是指与现实世界相平行又相抗衡的"虚拟"的世界,它或多或少地反映了日本社会中现存的黑暗现象,可以说是社会的缩影。作品通过对此意识世界的细致描写,深刻地揭露和批判了日本当代社会中存在的封闭国家暴力组织的虚伪面具,为当代的日本人敲响了一个警钟。
Haruki Murakami used metaphor in his novel named The Wind-up Bird Chronicle. "Well", as a small image, is a medium between the real world and the consciousness world. In the novel, the consciousness world means a "virtual" world which parallels and goes against with the real world. It more or less reflects the darkness in Japanese society, which can be seen as a miniature of society.Through the detailed description of the consciousness world, the novel deeply exposes and criticizes the violence organization secluding the country, as well as gives a wake-up call for the contemporary Japanese.
作者
徐栋
Xu Dong(Department of Japanese, Liaoning University of International Business and Economics, Dalian, Liaoning 116052, China)
出处
《大理大学学报》
CAS
2017年第1期36-39,共4页
Journal of Dali University
关键词
村上春树
奇鸟行状录
隐喻
水井
意识世界
Haruki Murakami
The Wind-up Bird Chronicle
metaphors
well
consciousness world