摘要
蒲松龄的《聊斋志异》以大胆的艺术想象创造了一个似真似幻、奇诡动人、美不胜收的艺术境界。其中一些描绘杂技艺人表演活动的作品更是异彩纷呈,令如叹为观止、拍案叫绝。那别开生面的驯养戏法、力大神通的气功之术、滑稽诙谐的小丑表演、惟妙惟肖的像声戏法、变化莫测的魔幻之术等等,无不玄怪离奇、精彩生动,匪夷所思,是我们了解古代杂技艺术的宝贵资料,从中不难感受到古代劳动人民想象力和创造力的伟大。
PU Song-ling’s Liao Zhai Zhi Yi creates a true unreal, strangeness and moving, beautiful art realm by bold artistic imagination. Some of the acrobat show activity of work is more colorful, make such as amazing scenes. The special domesticated tricks, force the avatar of qigong, comically clown performances, lifelike sound like a trick, the vagaries of the magical art and so on, all above are blame and vivid, fantastic, wonderful. It is art precious data for our understanding of ancient Chinese acrobatics, from which it is easy to feel the greatness of ancient working people’s imagination and creativity.
作者
张连举
ZHANG Lian-ju(Guangdong Police College, Guangzhou Guangdong 510232)
出处
《延安职业技术学院学报》
2017年第1期87-89,95,共4页
Journal of Yan’an Vocational & Technical College
关键词
蒲松龄
聊斋志异
杂技
魔幻
PU Song-ling
Liao Zhai Zhi Yi
acrobatics
the magic