论香港邵氏电影《荡寇志》对《水浒传》的人物重塑

On Adaption of the Movie "Dang Kou Zhi" on Water Margin through the Characterization of Images

香港著名导演张彻拍摄的电影《荡寇志》采用在节选原著的基础上加以虚构的改编方式,重点展现了小说《水浒传》"征讨方腊"一节中攻取杭州城的曲折情节。影片通过原著情节重构中的英雄形象彰显、水浒英雄阴暗面的影像淡化以及方腊一方形象的反面化塑造,不仅投射出一代武侠电影宗师张彻对于《水浒传》人物精神内涵的特殊理解及其在影像实践中一以贯之的"阳刚电影美学",亦体现出20世纪70年代的香港电影对于包括《水浒传》在内的古典名著的独特影像诠释。

The movie "Dang Kou Zhi'' directed by Zhang Che, the famous director in Hong Kong represented the attack against the city of Hang Zhou in "Send armed forces to suppress Fang La" of the novel Water Margin through taking excerpts from original work. The movie reflected Zhang's idea, that is, the swordsmen film master's special understanding on the characters from Water Margin and his masculine features emerging in his films. It also gave a unique explanation on the classical novels of China including Water Margin from Hong Kong films in the 1970s through highlighting the images of heroes in the process of the rebuilding plots from original work, the evasion on potential negative factors from Water Margin heroes and the negative characterization for Fang La and his subordinates.