摘要
从生态审美的角度看,民族艺术是生态审美者与生态审美对象在审美场域中的耦合对生。民族地区人们的审美人生与审美生境相生共长,递次生发生态审美范畴,即审美人生与审美生境共生民族生态审美场、审美人生与审美生境范生民族生态美感、审美人生与审美生境聚生民族生态审美意象,民族生态审美意象的整生即是民族艺术。
From the perspective of ecological aesthetics,national art is the coupling of ecological aesthetics and ecologicalaesthetic object in the aesthetic field.Mutually dependent of people's aesthetic life and aesthetic habitat in national region,secondaryhair ecological aesthetic category,namely aesthetic life and aesthetic habitat symbiotic national ecological aesthetic field,aesthetic lifeand aesthetic habitat germinal ethnic ecological feeling,the aesthetic life and aesthetic habitat gregaroid of national ecological aestheticimagery,the wholeness of national ecological aesthetic imagery is the national art.
作者
徐俊六
XU Jun-liu(College of literature, Yunnan Normal University, Kunming, 650500, China)
出处
《红河学院学报》
2017年第2期28-31,共4页
Journal of Honghe University
基金
2015年教育部人文社会科学研究一般项目:云南特有民族创世史诗的文化生态研究(15YJC751055)
关键词
审美人生
审美生境
民族艺术
整生
Aesthetic life
Aesthetic habitat
National art
Wholeness
