摘要
民族文化传承主体依据个人惯习、经验、记忆与日常实践,将实践活动搬上"象征性舞台"以实践表演与传承任务。文章通过对部分傣族非物质文化遗产传承人的半参与式观察与访谈,依据游客的在场与缺场,解析传承人对民族文化符号与意义进行重构之动力要素,并总结了包括传统性与现代性的融合、台前幕后的空间重叠等重构形式,希望能为少数民族文化旅游的保护性开发与文化传承提供有效参考。
National cultural heritors are usually based on individual habit,experience,individual memory and routine practiceto take the real practice to the"symbolic stage",which just achieve the tasks of performance and inheritance.By the semi-participantobservation and interviews with heritors of Dai intangible cultural heritage.And then,from the perspective of heritors,analyzing thedynamic factors of national cultural symbol's reconstruction based upon the tourist's present and absence.And summarizing somereconstruction forms,including the integration of tradition and modernization,spatial overlapping both stage and backstage,etc.Justhope to provide effective reference to the development of ethnic cultural tourism and cultural heritage.
作者
韩璐
HAN Lu(School of Tourism and Geography Science,Yunnan Normal University, Kunming 650500,China)
出处
《红河学院学报》
2017年第2期35-39,共5页
Journal of Honghe University
关键词
表演性真实
文化符号
意义重构
傣族非物质文化遗产
传承者
performative authenticity
cultural symbol
meaning's reconstruction
intangible cultural heritage of Dai nationality
heritor