摘要
皎然的诗歌意象观念主要受佛教唯识宗思想的影响。皎然认为意象就是心象,意象不仅能表情达意,更高的境界是求真。皎然认识到意象对诗歌创作的关键意义,对诗歌意象的整体性、象征性、多义性有了比较明确的认识,并阐述了对诗歌意象的审美追求。皎然的诗歌意象理论影响是深远的,对与他差不多同时代的韩孟诗派、元白诗派以及后北宋梅尧臣的诗歌创作都产生过巨大影响。皎然的诗歌意象理论还被中、晚唐诗学家们所借鉴,形成了中国古代诗学的"物象"论。
The concept of poetic image Jiaoran mainly influenced by Buddhism Cittamatra thought.That is the heart like Jiaoranimages,images can not only express,the higher realm is the truth.Jiaoran learned that the key meaning of the images on the poetrycreation,integrity,the poetry image symbol,have a more clear understanding of the meaning of many,and expounds the aesthetic pursuitof poetic imagery.The influence of Jiaoran's poetry imagery theory is profound,and he lived about the same time Han Meng poetry,YuanBai school after the Northern Song Dynasty and Mei Yaochen's poetry had produced tremendous effect.The theory of poetry image hasbeen Jiaoran,economists from the late Tang Dynasty,the formation of the Chinese ancient poetics"image"theory.
作者
贺孝恩
HE Xiao-en(College of Humanities and media, Zunyi Normal University, Zunyi 563002,China)
出处
《红河学院学报》
2017年第2期64-68,共5页
Journal of Honghe University
关键词
皎然
诗歌意象观念
心象
象征性
多义性
Jiaoran
Poetic imagery concept
Imagery
Symbolism
Polysemy