“神实主义”掩盖下的伪现实书写——重读阎连科《日光流年》

False Reality Writing Under the “God Realist”——Rereading Yan Lianke's Novel The Passing Days

作为50后作家,阎连科以其独特的创作在当代文学界引起了较大的争议。阎连科作品在"神实主义"面纱背后隐藏着的其实是赤裸裸的经作家夸大后的伪现实世界。在《日光流年》中,他不但对传统意义上的"乌托邦"进行了解构,而且将中国传统文化中具有代表性的伦理秩序也进行了消解。作品中呈现出来的价值倾向,如"重利轻义"和"追逐权力与暴力"等都与社会主义主流价值相悖而行。此外,阎连科对于历史事件的描写采取了夸张反讽的方式,不符合真实的历史。

As a writer in 1950s,Yan Lianke has caused great controversy in the contemporary literary circles with his unique creation. As a reader was born in 1980s,I reread Yan Lianke’s masterpiece The Passing Days,and found the reality behind the veil of the “God Realist”is the naked one of the world. He not only deconstructed the traditional sense of “Utopia”, but also digested the Chinese traditional culture. The value tendency was presented in the works,such as“ put material gains above justice”and“the pursuit of power and violence”,which are inconsistent with the socialist mainstream values. In addition,Yan Lianke’s description of the historical events took the way of irony and did not conform to the true history.