摘要
本雅明借鉴了马克思关于经济基础和上层建筑、生产力和生产关系的理论,以技术为视角对社会进行剖析与研究,他敏锐地注意到了技术的质变对当代艺术的巨大冲击。本雅明天才般的预见随时代发展被历史所证实,麦克卢汉和尼尔·波兹曼等继承者开启了后本雅明时代的媒介技术理论。
Benjamin began his analysis and research by referring to Marx’s economic basis and superstructure,the theory of productivity and production relations from the perspective of social technology.He was sharply aware of the quality of the technique’s enormous impact on contemporary art.Benjamin’s prediction was confirmed by history,and his successors such as Marshall McLuhan and Neil Postman started the after-Benjamin era of media technology theory.
作者
刘坤鹏
LIU Kunpeng(School of Liberal Arts, Central China Normal University, Wuhan, Hubei 430079, China)
出处
《广西科技师范学院学报》
2017年第2期104-108,共5页
Journal of Guangxi Science & Technology Normal University
关键词
本雅明
当代艺术
媒介技术
Benjamin
contemporary art
media technology