气乃人之灵魂——由《文心雕龙》论气与作家主体

On the Qi,the Soul of Man——About“Qi”and Writer Subject from Wen Xin Diao Long

气是中国文论的基本范畴,古来对"气"就有各种不同的解释。其中孟子"浩然之气"说、曹植"文气"说、刘勰的"守气"说最为著名,使得作家主体在创作时更加关注"气"的影响。同时"气"与风骨又有着紧密的关系,气化为风,风骨并重,气为风骨之本源。这就要求作家主体修"气"、养"气"、守"气",作家是"气"的展示者,表达者,"气"是作家的灵魂。

Qi is the basic category of Chinese literary theory,and there are various interpretations of“Qi”in Chinese history,of which“Hao Ran Zhi Qi”by Mencius,“Wen Qi”by Cao Zhi,and“Shou Qi”are the most famous ones,making writer subjects pay more attentionto“Qi”in their literary creation.Meanwhile,“Qi”is closely related to character:“Qi”can turn into style,style and character weighequally and“Qi”is the source of style and character.Thereby,writer subject should cultivate“Qi”,develop“Qi”,and maintain“Qi”;awriter is the exhibitor and expresser of“Qi”,and“Qi”is the soul of a writer.