摘要
有关老舍《猫城记》的研究,褒贬两方相差悬殊,受政治倾向"错误"的限制,批判方对小说艺术技巧视而不见。通过分析小说中的人物,将小说中"我"的形象从一个事不关己的旁观者拉回现实的泥沼,打破以往将《猫城记》视为单面镜像、冷嘲革命政党的观点,认为小说中的"我"不是一个明哲保身的旁观者,而是痛苦挣扎的沦陷者。作品反映出老舍小说创作时愁肠百结的心境,包含了老舍对社会现实的深思和对国家的深爱。
There are two markedly differences in the study of Lao she’s Cat country.The critics restricted by the“error”of political orientation turn a blind eye to the art of fiction.By analyzing the characters in the novel to bring the image of“I”in the novel back to the reality from a spectator.Different from the previous views that Cat Country is single side mirror and taunt the revolutionary party,the“I”is not a spectator but a sink man struggling in the world.The novel reflects Lao She’s great agonies of the mind in the process of his writing,his deep thinking of social reality,and his deep love for the country.
作者
田思雨
TIAN Si-Yu(School of Liberal Arts, Xinyang Normal University, Xinyang, Henan, 464000)
出处
《韩山师范学院学报》
2017年第4期85-89,共5页
Journal of Hanshan Normal University