太行抗日根据地的艺人改造——以武乡、襄垣剧团为例

The Transformation of the Entertainers in Taihang Anti-Japanese Base Area by Taking the Theatres in Wu Xiang and Xiang Yuan as Examples

抗战时期,太行抗日根据地文艺活动是伴随着新文艺的创造和旧形式的改造利用而展开的。根据地政府通过对艺人的组织、教育、约束、激励等方式,强化了根据地群众动员与宣传组织工作的专业化程度,使艺人的社会属性得到扩展,政治属性得到强化,为中共团结、改造落后组织与个人提供了范例。

During the period of Anti-Japanese war,the cultural and art activities in Taihang Anti-Japanese base area developed with the creation of new cultures and the transformation of the old patterns.The government here strengthened the ability to motivate the masses as well as propagandize and organize the work by means of organizing,educating,limiting and encouraging the entertainers.After the entertainers were transformed,their social attribution was widened and the political attribution was further strengthened,thus set an example for Chinese Communist Party to unify and transform the backward organizations and individuals.