“电影符号”视阈下传统武术套路与技击的辩证研究

The Dialectical Relationship Between Routine and Attack Skills of Chinese Traditional Wushu from the View of “Film Semiology”

以"电影符号"为研究视角,运用文献资料法、逻辑分析法从影视符号对传统武术套路与技击的描摹、传统武术套路与技击的关系两个维度,进行文化学范畴的探骊与思考。文章认为:影视符号中,在实用性层面传统武术套路与技击处于某种相互模塑的过程,习武者将这种模塑关系展现的淋漓尽致。与此同时,在电影符号背后隐喻着传统武术套路与技击辩证关系,即套路是技击的符号载体,技击是套路的符号灵魂,而习武者恰如其分地承担了符号主体的地位,是传统武术发挥攻防格斗实用功能的关键因素。

Taking"film semiology"as the research perspective,using the methods of literature and logical analysis,from two dimensions of relationship between film symbols of traditional Wushu,the study depicts the traditional Wushu,does the cultural science exploring and thinking.The paper finds that from the view of television and film symbols,in the practical aspect traditional Wushu is in the process of a mutual molding,with attack skills,and Wushu practitioners show the molding relations incisively.At the same time,in the bake of film semiology,there is the dialectical relationship between traditional Wushu and Wushu attack skills,that is,Wushu routines are the carriers of attacking skills,while attacking skills are the soul of Wushu routines,and Wushu practitioners take the main status properly of symbols,being the key factor in the traditional Wushu playing offensive utility function.