泥性的书写:民间青花瓷的地理、空间与审美变迁

The Writing of Clay:Geography,Space and Aesthetic Change of Commercial Blue and White Porcelain

民间青花瓷既是一种最日常化的工艺生产与陶艺行径,也是人类物质文化中最具象征性的生活行径。历史演进中的民间青花瓷的审美变迁与时代风尚、地域环境、艺术形态紧密相关,它们总会在纹样、泥性和釉理及烧成与传播等方面传递出地理空间与人文价值。民间青花瓷自发展起始,地理空间与审美变迁成为新的文化特点。这与社会空间变迁紧密相关。民间青花是中国民间陶瓷艺术中的主要地理意象,其民间陶瓷丰富性、完整性及各种总体性社会变迁得以在此发生的自然基础。

The production of blue and white ceramics,the most common kind of practice,is also the most symbolic part of material life.Inthe history of commercial blue and white porcelain,its aesthetic changes have been closely linked with the trend of the times,the geographicalenvironment,and the art evolution.They represent the conception of the geographical space and humanistic value with the forms of clay andthe patterns of glaze through means of firing and communication.From the initial stage,commercial blue and white porcelain has taken onitself a new cultural dimension characterized by its aesthetic taste,geographical space and social context.Commercial blue and white ceramicdecorations have provided a main part of geographical images for Chinese folk ceramic art.They are the natural occurrences in a specificregion,thus becoming a rich and integrated manifestation of its social changes.